Friday, February 25, 2011

My reaction to: An Essay by John Irving

          In this essay by John Irving himself about The Hotel New Hampshire, directed by Tony Richardson. John writes of the trail the movie production went through. When Tony came to John saying he wanted to make a movie of John's 5th novel John was flattered, though John didnt want to write the screen play. "Tony didn't even pretend to be disappointed when i told him ididn't want to write the screenplay; he wanted to write it himself, which he did." This provided a new voice to the story of the Berry's family and it added the faster funnier story now on tv. Tony's original plan for the adaptiaton was to create two movies but time and money didn't agree with him. Though even though she had to shorten everything he didn't wasnt to leave anything out. To transform his two movie dream to one he shortened some scences adding a fast pace to the movie. "By speeding up the story...Tony heightened both the comedic and the fairy-tale qualities of the book." This adaptation from book to movie has not only appealed to me but John, who loves Tony's movies." "Both film and book reviewers are often suspicious of flashforwarding." What John means by this flahforward is what I know as dual narrative voice. This means that during the film and novel the narrator would say something like "later on in life I learned that he felt the same way." It is a way of adding in information about the future that the characters themselves didnt know at the time. John loved the movie though somethings that were in his novel didnt come out so clear in the movie. One thing was that he couldnt really believe how Rob Lowe "a gorgeous boy--prettier than most girls" who played John Berry could be madly in love with Jodie Foster who "was not nearly attractive as a young girl as she has become."
Citation:               
Irving, John. "An Essay by John Irving." Interview. The Hotel New Hampshire. Random House.Web.23 Feb. 2011. http://www.randomhouse.com/catalog/display.pperl?isbn=9780345417954&view=auqa.
I would format the citation above but the spacing is not working very well I do not know how to explain.

The Hotel New Hampshire: the movie

The movie was the book in fast forward. what took many, many hours to read took me just took a couple of hours to watch. It was accurate, and fast, adding a little bit more of a comedic touch. The movie was filmed was released just 3 years after the novel was released. The movie provided many details that were in the novel from many different angles. There was scenes in the forest where John and Franny ran, making the perfect time for the camera to get on the dolly. There were medium shots with the opening scene and the introductions of character like when there was a flashback to when Win and Mary fell for each other. The movies was quicker than the movie and it was a bit funnier but the book had the real talent since it came first. Well now that I read the book and watched the movie I really can't distinguish them from each other. What I try to remember about the movie is turning out to be what I imagined in my head after reading. I can no longer tell literature from media. Well anyway even if you do not read the book or if you never heard of the book before and you watch the movie you would know it was adapted from a book because it is so good.

The Hotel New Hampshire 260-401

Since this novel is fairly long and writing all that happens would ruin someone’s interest in the novel or the sense of surprise that John Irving brings to his novel I will just write about a few important parts of the rest of his novel.  One big thing that happened was that Fehlgeburt, meaning miscarriage, told John of the radicals plans. These radicals worked in the hotel New Hampshire. There was about 5 of them not including Fehlgeburt. She mostly worked as a nurse or nanny for Lilly who she adored. The radicals were planning something big to happen in the fall season, also known as the opera season. They were going to blow up the opera, and they were going to use the Berry’s as hostages since Americans would create more publicity. Fehlgeburt was going to drive the car, which had a bomb, and that bomb would set off another. Fehlgeburt warned John as they did a deed the 29 women never experienced. She warned him and he worried. She would not be coming back from her drive in the fall. With this information John and his family prepared to leave, though not enough to raise suspicions. They thought of ways to get money to leave. They got money from Lilly’s book, and they also had an offer on the hotel. They need 15-20 thousand dollars to leave and they would get 15 for the book and 15 for advertising. Though by the time they warned all the whores in the hotels the radicals had all of the Berry’s, Freud and Susie the “bear”. Fehlgeburt was dead and someone had to drive the car, which turns out to be a Mercedes. The bear was untrustworthy and the berry’s were to be kept untouched so all that was left was the fun-loving  blind Freud. After a comment was made from the leader, Ernst, Win Berry went loco and slugged Ernst with Freud’s walking bat. Ernst was left on the floor as the other radicals got their plan back together.  Freud walked out with one of the radicals to go to the car. He walked after saying bye to all of them and slipping John a message. Freud left to the car and sacrificed himself by setting off the bomb. When the bomb went off john squeeze the radical that was left. The police came and the opera was saved and for there heroic antics they later got medals. Throughout this novel there has been many loses and each one of them could be seen coming. The meaningful deaths came from the first bear (State O’ Maine), Iowa Bob, Mary Berry Bates, Egg, Fehlgeburt, Freud and Lilly respectfully. There deaths could be seen coming though they died for reasons. Everyone lost things and everything came with a cost. Helping Freud, the blind man, hit the bomb in the car caused Win Berry’s blindness, though for many reasons he was already blind.
Quote: “you keep passing the open windows, too”
Reaction: ever since Freud told the story of the clown who was ignored when alive and missed when he jumped out the open window all of the berry children always told each other to keep passing the open windows. John, Franny, and Frank always passed those windows and continued to pass them though one day Lilly couldn’t handle her grip on life and she stopped at one.